{"title":"Top Selling Records","description":"\u003ch2\u003eDiscover the Best Selection of Top Selling Vinyl Records\u003c\/h2\u003e\u003cp\u003eWelcome to our curated \u003cstrong\u003eTop Selling Vinyl Records\u003c\/strong\u003e collection, where timeless music meets the warmth of analog sound. Whether you’re a seasoned audiophile or just starting your vinyl journey, this exclusive selection features the most sought-after records that have captivated listeners for decades. From classic rock to soulful jazz, our collection has something for everyone.\u003c\/p\u003e\n\n\u003ch3\u003eWhy Vinyl Records?\u003c\/h3\u003e\n\u003cp\u003eVinyl records have made a resounding comeback in recent years, rekindling a love for tangible music and analog sound quality. Unlike digital formats that can sometimes compromise audio fidelity, vinyl provides an immersive listening experience that captures the essence of an artist's work. Here’s what you can expect from our \u003cstrong\u003etop selling vinyl records\u003c\/strong\u003e collection:\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExceptional Sound Quality:\u003c\/strong\u003e Experience music the way it was meant to be heard with rich, warm tones.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVisually Stunning Artwork:\u003c\/strong\u003e Vinyl records come with album covers that are works of art in themselves, making them great for display.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCultivate a Unique Collection:\u003c\/strong\u003e Owning vinyl means you’re part of a community of music lovers who appreciate the beauty of physical records.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGiftingMade Personal:\u003c\/strong\u003e A vinyl record can be a meaningful gift for loved ones, perfect for any occasion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eOur Top Selling Vinyl Records Highlights\u003c\/h3\u003e\n\u003cp\u003eIn our \u003cstrong\u003eTop Selling Vinyl Records\u003c\/strong\u003e collection, you will find a diverse array of genres and artists. Here are some highlights that you won’t want to miss:\u003c\/p\u003e\n\n\u003ch4\u003eClassic Rock Legends\u003c\/h4\u003e\n\u003cp\u003eRelive the magic of rock and roll with iconic albums from legends like The Beatles, Led Zeppelin, and Pink Floyd. These artists have defined generations with their groundbreaking sounds and thought-provoking lyrics.\u003c\/p\u003e\n\n\u003ch4\u003eTimeless Jazz and Blues\u003c\/h4\u003e\n\u003cp\u003eFor those who appreciate smooth melodies, our selection features masterpieces from jazz and blues greats, including Miles Davis and B.B. King. Their records are a testament to the rich history of American music.\u003c\/p\u003e\n\n\u003ch4\u003eModern Indie and Alternative\u003c\/h4\u003e\n\u003cp\u003eExplore the sounds of contemporary artists who are shaping today’s music scene. Our collection includes top-selling albums from indie and alternative musicians who push creative boundaries.\u003c\/p\u003e\n\n\u003ch3\u003eHow to Care for Your Vinyl Records\u003c\/h3\u003e\n\u003cp\u003eCaring for your vinyl records is crucial for maintaining their quality. Here are a few tips to ensure your collection lasts for years to come:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eKeep Them Clean:\u003c\/strong\u003e Dust your records before and after playing them to prevent scratches and preserve sound quality.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStore Properly:\u003c\/strong\u003e Store records upright in a cool, dry place, and avoid stacking them horizontally.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUse a Quality Turntable:\u003c\/strong\u003e Invest in a good quality turntable to enhance your listening experience and protect your records.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInvest in Anti-Static Sleeves:\u003c\/strong\u003e These sleeves help minimize dust and static, prolonging the life of your vinyl.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eJoin the Vinyl Revolution Today!\u003c\/h3\u003e\n\u003cp\u003eOur \u003cstrong\u003eTop Selling Vinyl Records\u003c\/strong\u003e collection is constantly updated, ensuring you have access to the latest and most sought-after titles in the world of vinyl. Don’t miss your chance to own a piece of music history—browse our collection today and find your next favorite record!\u003c\/p\u003e\n\n\u003cp\u003eFeel free to explore our entire range and experience the ultimate satisfaction that comes with vinyl ownership. Add to your collection, gift to a friend, or simply enjoy the rich sounds that only vinyl can deliver. Shop now and embrace the timeless allure of vinyl records!\u003c\/p\u003e","products":[{"product_id":"johnny-cash-christmas-spirit-vinyl","title":"Johnny Cash - CHRISTMAS SPIRIT - Vinyl","description":"\u003cp\u003eReleased in 1963, The Christmas Spirit was Johnny Cash's first full-length holiday-themed album. Featured were four original songs by Cash, along with eight covers including takes of \"I Heard the Bells on Christmas Day,\" \"Silent Night,\" \"Blue Christmas,\" and others. This is a solidly enjoyable entry from Cash, and a must-have for die-hard aficionados of the country icon. ~ Matt Collar\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eGenre: Christmas \/ Chanukkah\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Johnny Cash","offers":[{"title":"Default Title","offer_id":45209108676917,"sku":"RG1QAQ-4H81-00","price":20.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/johnny-cash-christmas-spirit_8KVun_6e4630e5-ec26-44f7-af2b-7e650c875a85.jpg?v=1743983942"},{"product_id":"h-e-r-h-e-r-gatefold-lp-jacket-2-lps-vinyl","title":"H.E.R. - H.E.R. (Gatefold LP Jacket) (2 Lp's) - Vinyl","description":"\u003cp\u003eH.E.R. (Gatefold LP Jacket) (2 Lp's) is a Records \u0026amp; LPs from H.E.R.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"H.E.R.","offers":[{"title":"Default Title","offer_id":45216729956661,"sku":"Y1AI3L-Q8N4-00","price":36.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/her-her-gatefold-lp-jacket-2-lps_3I9j6.jpg?v=1744128239"},{"product_id":"khalid-american-teen-explicit-content-2-lps-vinyl","title":"Khalid - American Teen [Explicit Content] (2 Lp's) - Vinyl","description":"\u003cp\u003eKhalid Robinson made major commercial headway in early 2017 with \"Location,\" a drowsy, teetering ballad the singer and songwriter seemed to deliver while lying on his bed, or maybe someone else's couch, eyes glued to his phone, just after waking up. In that song, and through much of what fills out American Teen, his debut album, Robinson's not one to get worked up. He's in no particular rush, content to drift through life while accepting, and occasionally sort of celebrating, the present. \"American Teen\" itself -- hollowed-out late-'80s mall pop with a disco-funk bassline -- is a youth anthem of shrugging aimlessness. There's not a whole lot of enthusiasm for revelry, dulled by substances, apathy, a combination of the two, or just the aspiration to look the part: \"I'm so faded off of all the things I've taken, and maybe I'm not really drunk, maybe I'm really good at faking.\" There are points at which Robinson makes Frank Ocean sound like Teddy Pendergrass. On \"Young Dumb \u0026amp; Broke,\" the mere concept of commitment seems so silly to him that he can't be bothered to enunciate the word, or maybe he just lost interest after the second syllable. After a nonchalant chorus that consists primarily of the song's title and a lethargic warble -- surprise -- he dumps one of his best melodies in the bridge. While he opens \"Another Sad Love Song\" by confessing \"I'm not the best at showing my emotions,\" some bright moments make it apparent that Robinson has clearly sold himself short. Dusty ballad \"Cold Blooded,\" in particular, demonstrates that he's perfectly capable of conveying grief without being overly demonstrative. When alert, he can be a force. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Funk \/ Soul\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Khalid","offers":[{"title":"Default Title","offer_id":45217016611125,"sku":"U8E8FA-7VUE-00","price":28.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/khalid-american-teen-explicit-content-2-lps_0Dd7b.jpg?v=1743975813"},{"product_id":"anderson-paak-oxnard-vinyl","title":"Anderson.Paak - Oxnard - Vinyl","description":"Anderson Paak recollects on volume three of his beach trilogy that he envisioned, back in high school, making music with Dr. Dre. The foresight manifested a decade later in a recurring role on Compton, and then a contract with the doctor's Aftermath label, announced a few months later, just as second volume Malibu was about to crash Billboard's R\u0026amp;B\/hip-hop Top Ten. A couple subsequent Grammy nominations further showed that Paak could prosper without being anyone's prot?g?, thereby making his Aftermath debut somewhat anticlimactic before it was even completed. Disregard the context and Oxnard is simply the follow-up to Malibu, lyrically a little deeper and sonically a bit richer, though a little less novel. It happens to bare Dre's name as executive producer and mixing engineer, and as co-producer of four tracks, three of which are rhythmically choppy backdrops for a peacocking, raspy Paak, basking in affluence, berating rappers, and \"fuckin' up the weekend\" as he flashes his million-dollar grin. The dazzling and layered fourth Dre collaboration, \"Cheers,\" also involves Q-Tip behind the board and in the booth, with Paak working through the loss of Mac Miller in poignant verses and a stirring chorus. Other than that track, embedded references to issues ranging from police brutality to personal troubles, and the post-11\/8 \"6 Summers\" -- where anti-Trump taunts are balanced by incisions like \"There's money to be made in a killing spree\" -- Oxnard is about highly detailed hijinks and romantic conflicts. It's front-loaded with a kind of vehicular action-adventure mini-suite, beginning in sweeping blaxploitation style with help from Kadhja Bonet's voice and strings, continuing with the elegant if lascivious pit stop \"Headlow,\" and climaxing with \"Tints,\" glistening and twisting modern synth-funk fortified by a duly animated Kendrick Lamar verse. Paak later verges closer than ever to loverman status with the slowly chugging Snoop Dogg pairing \"Anywhere,\" filled with flashbacks to '80s and '90s R\u0026amp;B like One Way, Mtume, and Ruff Endz. Although Paak is still an R\u0026amp;B artist more so than a hip-hop one, he continues to be a stylistic outlier. Rather than pander, testify, or even seduce, he tends to express the blues when he sings, epitomized on \"Smile\/Petty,\" in which he confronts a liar and wails \"My lady drives me high up the wall.\" Later lyrical transgression aside, the LP is a pleasurable thrill ride. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Anderson.Paak","offers":[{"title":"Default Title","offer_id":45568199328053,"sku":"CBKULE-K9RK-00","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/andersonpaak-oxnard_ZraLD.jpg?v=1742468174"},{"product_id":"chris-stapleton-from-a-room-volume-2-vinyl","title":"Chris Stapleton - From A Room: Volume 2 - Vinyl","description":"\u003cp\u003eChris Stapleton | From A Room: V2 (LP) | Vinyl | 12\/01\/2017\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chris Stapleton","offers":[{"title":"Default Title","offer_id":45607093109045,"sku":"2E9U0G-RKI1-00","price":31.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/chris-stapleton-from-a-room-volume-2_0V2Fs.jpg?v=1744000650"},{"product_id":"cage-the-elephant-unpeeled-vinyl","title":"CAGE THE ELEPHANT - Unpeeled - Vinyl","description":"\u003cp\u003eSince the late 2000s, American-born, London-based alt-rock outfit Cage the Elephant have had a prolific output of material that has traversed an eclectic array of style and sound; initially delivering accessible pop song structures laden with bluesy, punk-infused vocals and guitar work alongside a somewhat defiant Iggy Pop-esque attitude, the band eventually arrived at a more psychedelic sound with its 2015 effort, Tell Me I'm Pretty. The latter proved to be more akin to the bright hedonism and transparent honesty, identifiably representative of Jim Morrison and the Doors, all packed into a sleek production package, albeit not shy of the grit and fuzz of the garage rock aesthetic, harnessed by producer Dan Auerbach of the Black Keys. Here, Cage the Elephant present their second live record, aptly entitled Unpeeled, a 21-track belter of stripped-back, alternate versions of popular cuts from their back catalog, without losing any of the aforementioned grit or attitude. Consisting of live recordings from various venues across the States in support of Tell Me I'm Pretty, a lot of it hardly sounds live at all (in the best sense); the band's performances are tight, unwavering, and flawless in their execution. Unpeeled is a long live album, but the band manages to arrest the listener by taking twists and turns in each song performance. It's a consistently good listen, although there are of course highlights; tracks such as \"Punchin' Bag,\" \"Trouble,\" and \"Shake Me Down\" are concrete reminders of the group's penchant for lyrical storytelling and affinity for hooks and melody, powerfully translated here with an organic setup. A lot of moments also bring to mind some of the techniques used on the Beatles' Revolver, with prominent and effective use of what sounds like live double-tracking and tape delay. The last third of the record shines the best; live favorite \"Come a Little Closer\" is punctuated with a beautifully rich and resonant string accompaniment, while penultimate track \"Cigarette Daydreams\" begins with Matt Shultz filling up the venue with his howling vocals atop a sonorous lone acoustic guitar before the rest of ensemble comes in; pronounced, tightly wound snares and kick drum carry the rest of the song alongside forlorn strings and piano, before a skin-crawling middle-eight section in which the audience sings the song's main refrain (\"You can drive all night\/Looking for the answers in the pouring rain...\") in magical unison. The album ends with Thank You, Happy Birthday closer \"Right Before My Eyes\" -- one last chance for a sorrowful yet warm performance, enriched with more strings, reverb, and Shultz's pained voice echoing out into the darkness. 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Following the record-breaking success of \u003cem data-end=\"438\" data-start=\"414\"\u003eWicked: The Soundtrack\u003c\/em\u003e, this powerful new release captures the emotional finale of the Wicked saga with unforgettable performances by \u003cstrong data-end=\"567\" data-start=\"550\"\u003eCynthia Erivo\u003c\/strong\u003e as Elphaba and \u003cstrong data-end=\"600\" data-start=\"583\"\u003eAriana Grande\u003c\/strong\u003e as Glinda.\u003c\/p\u003e\r\n\r\n\u003cp data-end=\"1112\" data-start=\"615\"\u003eWith music and lyrics by Grammy and Oscar®-winning composer \u003cstrong data-end=\"695\" data-start=\"675\"\u003eStephen Schwartz\u003c\/strong\u003e, the album introduces \u003cstrong data-end=\"750\" data-start=\"718\"\u003etwo brand-new original songs\u003c\/strong\u003e — \u003cem data-end=\"773\" data-start=\"753\"\u003eNo Place Like Home\u003c\/em\u003e and \u003cem data-end=\"802\" data-start=\"778\"\u003eThe Girl In The Bubble\u003c\/em\u003e — alongside the long-awaited soundtrack debut of \u003cem data-end=\"882\" data-start=\"852\"\u003eThe Wicked Witch of the East\u003c\/em\u003e, never before featured on the Original Broadway Cast Recording. 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The result is an intimate, poignant album, laced with rich production that enhances, not clouds, the songwriting itself.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Avett Brothers","offers":[{"title":"Default Title","offer_id":52235522113845,"sku":"M6DUH4-T09U-00","price":46.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/the-avett-brothers-i-and-love-and-you-2-lps_Iur0B.jpg?v=1768784577"},{"product_id":"talking-heads-more-songs-about-buildings-and-food-180-gram-vinyl-vinyl","title":"Talking Heads - More Songs About Buildings And Food (180 Gram Vinyl) - Vinyl","description":"\u003cp\u003eAlso available with TALKING HEADS '77 on 1 cassette. Talking Heads: David Byrne (vocals, guitar, percussion); Jerry Harrison (guitar, keyboards, background vocals); Tina Weymouth (bass, background vocals); Chris Frantz (drums, percussion). Additional personnel: Brian Eno (various instruments, background vocals). Recorded at Compass Point Studio, New Providence, The Bahamas in March and April 1978. The Heads' second album found them building on the twitchy \"new wave\" sound they established with their debut while using that approach as a springboard for new lyrical and musical innovations. The band's sonic pallette is a bit wider here; the interplay between the guitars of David Byrne and Jerry Harrison is more fully developed here, are Harrison's keyboard contributions (he was, after all, strictly a keys man in the Modern Lovers, one of the Heads' primary influences). The band displays diversity with their first recorded cover tune, Al Green's \"Take Me To The River,\" which they redefine with an ominous, supple sensuality. While Byrne still sounds like his nerves are being stretched to the breaking point, the band is a little looser here, as on the jumpy, Velvet Underground-ish \"Thank You For Sending Me an Angel.\" Byrne's hyper-intellectualism is in full flower on BUILDINGS, from the gender politics lesson \"The Girls Want to Be With the Girls\" to the New York bohemian slant of \"Artists Only,\" whose key phrase is \"you can't see it till it's finished!\"\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Talking Heads","offers":[{"title":"Default Title","offer_id":52241557061941,"sku":"3F5RYS-WAWZ-00","price":29.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/talking-heads-more-songs-about-buildings-and-food-180-gram-vinyl_yzU4u.jpg?v=1768927780"},{"product_id":"panic-at-the-disco-pray-for-the-wicked-black-vinyl-digital-download-card-vinyl","title":"Panic At The Disco - Pray For The Wicked (Black Vinyl, Digital Download Card) - Vinyl","description":"\u003cp\u003eBrendon Urie is the star of his own ongoing, over the top, show-stopping broadway production. At least, that's essentially been the overarching conceptual tone of his band Panic! At the Disco since at least 2011's Too Weird to Live, Too Rare to Die! -- and that tone definitely informs his sixth studio album, 2018's Pray for the Wicked. It's a conceptual notion that also made 2016's surprisingly affecting Frank Sinatra-goes-emo-crooner masterpiece Death of a Bachelor such an unexpected joy. In many ways, Pray for the Wicked feels like a companion album to its predecessor, informed as much by '90s R\u0026amp;B and hip-hop as it is Urie's love of driving, hooky pop\/rock. Produced once again by Jake Sinclair, it's a bombastically overstuffed production, full of pounding marching-band beats, tidal-wave synths, horns that punch at bright angles, and a DJ's penchant for twisting and reconfiguring arrangements with Thanos-like disregard for human physics. Throughout it all, Urie paints himself with Michelangelo-esque strokes as a flamboyant cross between James Cagney, Biggie Smalls, and Beyonc?, singing \"I'm a moon-walker, I'm like M.J. up in the clouds\" on \"Dancing's Not a Crime.\" He also has the same obsessions: religious iconography, the lure of Los Angeles, and the constant struggle between social concern and personal interest. As he sings on the anthemic \"Say Amen (Saturday Night),\" \"And if I try to change my life one more day, there would be nobody else to save\/And I can't change into a person I don't wanna be, so\/Oh, it's Saturday night.\" The rest of the album pulses with an equal level of throw-your-hands-in-the-air energy, as Urie soars through the arrangements, his voice as highly resonant and stage-ready as ever. Admittedly, his embrace of slick pop aesthetics, Rat Pack swagger, and cheeky turns of phrase can be a bit much on first listen. But that being said, when it's backed with a strong hook and just a modicum of earnest emotion, as on the sanguine club jam \"Hey Look Ma, I Made It,\" it's hard to deny. ~ Matt Collar\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panic At The Disco","offers":[{"title":"Default Title","offer_id":52275989741877,"sku":"2ZKJMA-YA72-00","price":29.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/panic-at-the-disco-pray-for-the-wicked-black-vinyl-digital-download-card_yDcRS.jpg?v=1769725032"},{"product_id":"vampire-weekend-father-of-the-bride-2-lp-140g-vinyl-24-x-36-poster-gatefold-jacket-vinyl","title":"Vampire Weekend - Father Of The Bride (2 LP) (140g Vinyl) (24\" x 36\" Poster) (Gatefold Jacket) - Vinyl","description":"\u003cp\u003eBrand New Sealed | Vampire Weekend | Father Of The Bride (2 LP | 140G Vinyl | Poster | Gatefold Jacket | Vinyl | Release Date: 05\/03\/2019\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vampire Weekend","offers":[{"title":"Default Title","offer_id":52281290817845,"sku":"10A4V9-JW2P-00","price":33.92,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/vampire-weekend-father-of-the-bride-2-lp-140g-vinyl-24-x-36-poster-gatefold-jacket_LbD3J.jpg?v=1769812746"},{"product_id":"neil-young-harvest-moon-2-lps-vinyl","title":"Neil Young - Harvest Moon (2 Lp's) - Vinyl","description":"\u003cp\u003ePersonnel: Neil Young (vocals, guitar, harmonica); Kenny Buttrey, Tim Drummond, Ben Keith, Spooner Oldham, Astrid Young, Larry Cragg. Recorded at Redwood Digital, Woodside, California. Both artistically and stylistically HARVEST MOON is the successor to HARVEST, Neil Young's landmark acoustic album from 1971, which featured the No. 1 single, \"Heart Of Gold.\" The song \"Harvest Moon\" was nominated for a 1994 Grammy Award as \"Record Of The Year.\" The song \"Harvest Moon\" was nominated for a 1994 Grammy Award as \"Song Of The Year.\" Nominated for a 1994 Grammy Award as \"Record Of The Year.\" After 20 years, Neil Young finally decided to release the sequel to Harvest, his most commercially successful album. Harvest Moon is in some ways a better album, without the orchestral bombast that stifled some of the songs on the first album and boasting a more diverse overall selection of songs. Harvest Moon manages to be sentimental without being sappy, wistful without being nostalgic. The lovely \"Unknown Legend,\" \"From Hank to Hendrix,\" and the beautiful \"Harvest Moon\" are among Young's best songs. Only the overlong (11 minutes) and oversimplified \"Natural Beauty\" hurts a beautiful album that proudly displays scars, heartaches, and love. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neil Young","offers":[{"title":"Default Title","offer_id":52290731802933,"sku":"0OOXWK-FMQ2-00","price":47.52,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/neil-young-harvest-moon-2-lps_4VZ1e.jpg?v=1770076367"},{"product_id":"death-grips-year-of-the-snitch-vinyl","title":"Death Grips - Year Of The Snitch - Vinyl","description":"\u003cp\u003eTo say that that the work of California alt-rap group Death Grips is hard to digest for some may be an understatement. That can go for dedicated fans as well as newcomers. Having traversed the likes of controversy in the industry, surprising collaborations, surreal marketing tactics, and of course, ferocious live appearances, the band have most certainly cemented their status as one of the most captivating and fearless acts of the 2010s. Following 2016's Bottomless Pit, here the band deliver their sixth LP, Year of the Snitch. The former -- alongside other prior releases -- have managed to occasionally meld somewhat accessible traits of more widely acknowledged hip-hop into their sound. Here, however, it seems that Death Grips have opted to go for more surrealism this time. Although the first third of the record is seemingly not as in-your-face as previous work, opener \"Death Grips Is Online\" blasts in straightaway with thudding electro percussion, indecipherable vocal samples, and bright synth leads before segueing into Zach Hill's thundering toms and MC Ride's trademark hollering. Languid beats and deadpan rapping adorn single \"Flies,\" while \"Black Paint\" wallops with organic drum rolls, buzzing keys, and eerily reversed vocals with the chorus consisting of Led Zeppelin-esque guitar riffs and abrupt turntable scratching. Fifth track \"The Horn Section\" is where things get weird -- erratic drumming and dissonant, Casio-style keys carry the instrumental to a close before \"Hahaha\" arrives -- a sign that the rest of what you're about to hear probably won't adhere to any strict time signature for longer than four to six bars at any one time. Odd unpredictable moments crop up elsewhere, but Year of the Snitch does give you a breather with tracks such as \"Streaky,\" which is largely composed of hard-hitting MPC beats, sporadic scratching, and the band's knack for brilliantly executed sampling techniques. Having sampled some of their own work in places -- \"Shitshow\" features samples from their debut 2011 mixtape Exmilitary -- you can never really tell what sounds are discovered or if they're original recordings from Death Grips themselves, albeit heavily processed and manipulated to the point where it's impossible to identify. Which is just one small aspect of the broader genius that is Death Grips. Not one of their releases is the same as another, and with Year of the Snitch, they continue to break boundaries and expectations. The record is another example of true experimentation with their sound along with an uncompromising work ethic and a thirst for originality. ~ Rob Wacey\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Death Grips","offers":[{"title":"Default Title","offer_id":52321717190965,"sku":"TIH5J7-XE6M-00","price":31.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/death-grips-year-of-the-snitch_q8KZd.jpg?v=1771006094"},{"product_id":"ed-sheeran-divide-180-gram-vinyl-45-rpm-digital-download-card-2-lps-vinyl","title":"Ed Sheeran - Divide (180 Gram Vinyl, 45 RPM, Digital Download Card) (2 Lp's) - Vinyl","description":"\u003cp\u003eEd Sheeran turned into a global superstar after the release of 2014's x and while fame did his head in a bit -- he took a year off of social media, a hiatus that happened to coincide with the time he worked on his third album -- it's also true that fame suits him. That much is clear from Divide, the album he released to eager anticipation in March 2017. Compared to its two predecessors, Divide -- which, like its predecessors, has its title rendered as a mathematical symbol -- is colorful and lithe, casually hopscotching from style to style without ever drawing attention to its range. Sheeran long ago perfected his rapping busker schtick, which frees him to fulfill his destiny as an adult alternative troubadour. Such sentimental smashes as \"Thinking Out Loud\" paved the way for Sheeran to plump up Divide with love songs and unveiled confessions, which, in turn, lets him play around with different styles throughout the album. \"Dive\" finds Sheeran easing into old-fashioned Memphis soul, a supple groove countered by his decision to go full Celtic on \"Galway Girl\" and, on the deluxe edition, he celebrates Spain on \"Barcelona\" and dabbles in Graceland-styled Afro-beat on \"Bibia Be Ye Ye.\" Ultimately, these splashy sounds are merely accouterments on an album that leans heavily on Sheeran's sentimentality yet this flair gives Divide welcome color, helping to put his standard tricks in sharp relief. Sheeran can still be clumsily literal -- the worst arrives earliest, when he sniffs \"friends and family filled with envy when they should be filled with pride\" on \"Eraser\" -- but such stumbles are balanced by flashes of cutting wit, such as the dissection of the \"New Man\" of his old lover. Despite this wordplay, the chief appeal of Divide is Sheeran's musicality, particularly his facility in turning his folk-rap into adult pop. Throughout the record, Sheeran seems assured in his smooth schtick, and that cheesy confidence, combined with the hints of new style, help make Divide his easiest album to enjoy. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ed Sheeran","offers":[{"title":"Default Title","offer_id":52332953272629,"sku":"P4KRZC-H30T-00","price":47.52,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/ed-sheeran-divide-180-gram-vinyl-45-rpm-digital-download-card-2-lps_7m7to.jpg?v=1771276562"},{"product_id":"panic-at-the-disco-pretty-odd-vinyl","title":"Panic! At The Disco - Pretty Odd - Vinyl","description":"\u003cp\u003ePanic At the Disco subverted the potential for a sophomore slump by taking a sharp left turn from the emo-fused pop-punk of their debut, A FEVER YOU CAN'T SWEAT OUT. Rather than retracing the footsteps that brought them popularity, Panic At the Disco made PRETTY. ODD., a headlong dive into pure 1960s pop psychedelia. From the floral print cover-art (framed by a vintage photo album-style border) to the artfully constructed retro symphonic pop inside, PRETTY. ODD. will surprise fans and stump naysayers. Both the self-referential opener, \"We're So Starving,\" and the lead single, \"Nine in the Afternoon,\" with its soaring chorus and echoing horn lines, channel SGT. PEPPERS-era Beatles. The drowsy, lovely \"Northern Downpour\" and the music hall send-up (complete with added vinyl crackle), \"I Have Friends in Holy Spaces,\" suggest the band has also been listening to the Beatles' WHITE ALBUM. But although PRETTY. ODD. is indebted to the Fab Four, it also has a contemporary feel, and no shortage of guitar-charged rock. Most surprising is that this unlikely experiment succeeds on the merit of its ambition, wit, and fine melodic songwriting.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panic! At The Disco","offers":[{"title":"Default Title","offer_id":52346044875061,"sku":"0V3Z28-WYIL-00","price":29.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/panic-at-the-disco-pretty-odd_MPK5U.jpg?v=1771539794"},{"product_id":"slayer-seasons-in-the-abyss-explicit-content-vinyl","title":"Slayer - Seasons in the Abyss [Explicit Content] - Vinyl","description":"\u003cp\u003eSlayer: Tom Araya (vocals, bass); Jeff Hanneman, Kerry King (guitar); Dave Lombardo (drums). Recorded at Hit City West, Hollywood Sound, California and Record Plant, Los Angeles, California. Slayer built a rabid following with faster-than-light thrash metal, eerie, disturbing lyrics, and bassist\/singer Tom Araya's screamed vocals. 1986's REIGN IN BLOOD, a blinding metal classic that clocked in at below a half hour in length and was produced by Rick Rubin, put the band on the metal map. Although Slayer was a bunch of longhairs, it wasn't uncommon to see hardcore skinheads slamming away at the band's shows. But 1988's SOUTH OF HEAVEN alienated many of Slayer's punk fans, as the group slowed their speed metal to a Black Sabbath-like crawl. 1990's SEASONS IN THE ABYSS follows its predecessor's formula. The album was embraced by metal-heads everywhere, eventually earning Slayer its first gold-certified record. The furious opening \"War Ensemble\" is a throwback to Slayer's earlier speed metal direction, while the album-closing title track is a murky, swarming chunk of metal. Other standouts include the chilling \"Dead Skin Mask,\" which dealt lyrically with notorious killer Ed Gein, \"Blood Red,\" \"Expendable Youth,\" \"Hallowed Point,\" and \"Skeletons of Society.\" For fans of extreme-metal, it doesn't get any better than Slayer's SEASONS IN THE ABYSS.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Slayer","offers":[{"title":"Default Title","offer_id":52378515308853,"sku":"NJ27TS-O8C4-00","price":34.54,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/slayer-seasons-in-the-abyss-explicit-content_1ZGxa.jpg?v=1772116267"},{"product_id":"ghost-prequelle-vinyl","title":"Ghost - Prequelle - Vinyl","description":"\u003cp\u003eIt has been three years since Sweden's Ghost released the wildly successful Meliora, which peaked at number eight on the Top 200 chart, led by its number five single \"Cirice.\" 2017's Popestar EP hit number 16 while its single, \"Square Hammer,\" topped the mainstream rock list. Since then, Ghost's tenure has been tumultuous: The band's \"Nameless Ghouls\" sued mastermind, chief songwriter, and vocalist Tobias Foge, ultimately unmasking him as all three incarnations of Satanic pope and frontman Papa Emeritus. Ghost carries on with Foge as \"Cardinal Copia,\" fronting an entirely new cast of musicians. Prequelle, the band's fourth album delivers on the hooky hard rock promise of Meliora by doubling down on the '70s and '80s rock tropes that informed it. Foge and company have drawn from a wide pool of inspirations here, from classic late-'70s Blue ?yster Cult and Alice Cooper to British heavy metal bands from Def Leppard to Judas Priest, to occult metal provocateurs like King Diamond and pop songwriting that owes much to ABBA. This ambitious set uses the backdrop of the Black Plague during the dark ages as a device for these songs to pivot on. It's not about death so much as how one lives and enjoys life until death inevitably arrives. After opener \"Ashes,\" where creepily ambient electronics frame a haunted kid's choir singing \"Ring Around the Rosie\" -- a song that dates from the Plague years in the 14th century -- comes the hit single \"Rats,\" whose double entendre lyrics equate human behavior to be as ravenously bloodthirsty and contagious as rodents. Introduced by whomping snare and kick drum, a stuttering Vivian Campbell riff and ringing twin leads open an insanely catchy melody, articulated by Foge\/Cardinal Copia's vocals which alternate between sickly sweet to guttural. The layered choruses could soundtrack any teenage night-driving fantasy. \"Faith\" wears its metal chops proudly, with Dio-inspired chugs behind Foge. \"Dance Macabre\" is melodic hard rock brilliance, juxtaposing Blue ?yster Cult's reliance on knotty riffs and upbeat hooks with a vocal chorus straight from the Scorpions' fake book, and framed by Meat Loaf and Jim Steinman's cinematic bombast. \"Witch Image\" is occult hard pop at its best (complete with phase-shifted drums), wedding a seductive melody to the lyrics \"While you sleep\/In earthly delight\/Someone's flesh\/Is rotting tonight....\" The album also boasts a pair of instrumentals: The drifting hard prog of \"Miasma\" and \"Helvetesfonster,\" where Yes and early King Crimson meet Opeth. \"See the Light\" flirts with power balladry while transforming itself into a crunchy, headbanging anthem, while closer \"Life Eternal\" is a ballad proper, offering a sensitive lead vocal that recalls Michael Stipe's, singing about undying love even as mortal death occurs amid a swelling church organ, tender piano, and spidery guitars with an operatic chorus in the final third. On Prequelle, Ghost deliver fully on the promises of earlier records. Their strengths --including one for imitation -- are fully assembled and focused in an exercise of irresistible arena rock excess without sounding like a pastiche. ~ Thom Jurek\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ghost","offers":[{"title":"Default Title","offer_id":52379397554485,"sku":"C5BRVU-QWH6-6S","price":34.54,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/ghost-prequelle_KXDe8.jpg?v=1772139562"},{"product_id":"misfits-legacy-of-brutality-vinyl","title":"Misfits - Legacy of Brutality - Vinyl","description":"\u003cp\u003eThe Misfits include: Glenn Danzig (vocals). Recorded between October 1977 and June 1981. Includes alternate takes and early singles. Long before the doomed theatrics of Danzig, there was the Misfits, a seminal punk band who had it all. With creepy songs, played by an even creepier band, and a singer who sounded eerily like Elvis, the Misfits dared defy a rock category that had yet to emerge. Fifteen years after their peak, the Misfits and the material that later became LEGACY OF BRUTALITY was the Punk 101 course for generations to come. The Misfits sounded like the Ramones backing Elvis on \"The Monster Mash.\" Their eerie riffs and simplistic production was way ahead of its time in an era of disco and extended blues jams. Building on their soon-to-be punk credentials, the Misfits put out records on their own Plan 9 label in 1977, years before the acknowledgement of such independent labels. LEGACY OF BRUTALITY perfectly captures the Misfits in all their horrific glory. Danzig's disarming eloquence is evident in \"Who Killed Marilyn?\": \"5:25 August 5, 1962\/Marilyn lying on her chest\/Her face all turning blue\/Could it have been an overdose?\/Or could it have been the feds\/Could it have been the Kennedys\/Or was it just the L.A.P.D.\" LEGACY OF BRUTALITY will undoubtedly inspire generations of post-punk misfits for years to come. Legacy of Brutality compiles a variety of Misfits rarities and outtakes, including the entire unissued portion of the band's unreleased 1978 debut, Static Age (several of its tracks that appeared on early EPs are not included here). Also present are the A-sides of the non-LP singles \"Halloween\" and \"Who Killed Marilyn?,\" the latter actually a Glenn Danzig solo record. As an entity unto itself, the compilation plays a little inconsistently, and with the various reissues in recent years, it's not quite invaluable any longer, but it's arguably a better way to hear this material than the Static Age reissue, especially since a couple of Legacy's better songs are not on any of the other single-disc compilations. ~ Steve Huey\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Misfits","offers":[{"title":"Default Title","offer_id":52379662188853,"sku":"0LOWYD-C1GV-00","price":31.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/misfits-legacy-of-brutality_PUzIk.jpg?v=1772148165"},{"product_id":"sonic-youth-goo-180-gram-vinyl-vinyl","title":"Sonic Youth - Goo (180 Gram Vinyl) - Vinyl","description":"\u003cp\u003eSonic Youth: Thurston Moore, Lee Ranaldo (vocals, guitar); Kim Gordon (vocals, bass); Steve Shelley (drums). Additional personnel: Nick Sansano (percussion); Don Fleming (percussion, background vocals); J. Mascis, Chuck D. (background vocals). Producers: Sonic Youth, Nick Sansano, Ron Saint Germain. Recorded at Sorcerer Sound and Greene Street, New York, New York. GOO was Sonic Youth's major label debut and allowed the band to blend its skewed sense of aesthetic and cultural criticism into a more understandable stab at pop culture. GOO unleashed the band's ability to create monster riffs out of fuzzy, unlikely tunings, while bringing their once aloof songwriting into a more pop-sensitive light. GOO's stunning collection of material once again highlighted Sonic Youth's unique writing talents. \"Dirty Boots\" and \"Mary Christ\" showed Thurston Moore's delicious slant on rock melody. Yet it was Kim Gordon who stole the show with her chilling \"Tunic (Song For Karen)\" and the brilliant \"Kool Thing.\" In \"Tunic,\" Gordon wrapped her cunning insight around the Karen Carpenter story: \"I feel like I'm disappearing\/Getting smaller every day\/But I look in the mirror\/And I'm getting bigger in every way...\" The song was one of the album's many attempts at understanding the mechanics of pop stardom. \"Kool Thing\" summed up rock's once blatant \"fear of a female planet\" by placing women rockers in a rap context. \"Are you going to liberate us girls\/From male, white, corporate oppression?\" Gordon toyed, saying more in her deadpan delivery than years of articles on women in rock or rap combined.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sonic Youth","offers":[{"title":"Default Title","offer_id":52393176629557,"sku":"NB40PX-PJ2E-00","price":31.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/sonic-youth-goo-180-gram-vinyl_U1JHz.jpg?v=1772472261"},{"product_id":"cage-the-elephant-tell-me-im-pretty-180-gram-vinyl-gatefold-lp-jacket-vinyl","title":"Cage The Elephant - Tell Me I'm Pretty (180 Gram Vinyl, Gatefold LP Jacket) - Vinyl","description":"\u003cp\u003eOn their fourth album, Tell Me I'm Pretty, Kentucky rock band Cage the Elephant still can't shake their influences. Over the course of Cage the Elephant's career, each step along the way has attracted attention for the sounds they incorporated: Nirvana, Beck, the Strokes, Arctic Monkeys, the White Stripes, Pixies. Now, enter the Black Keys. It's no surprise, given that the head Key, Dan Auerbach, produced the album at his Easy Eye Studio in Nashville. Entwined in their Southern-fried rock sound, Auerbach brings an organic production to Tell Me I'm Pretty, reportedly using first takes and scratch vocals. So while the band's sound has softened somewhat -- there's less rollicking fury and the feral edges have been smoothed (most notably on the plaintive beauty \"How Are You True\") -- the fresh depth and grit heard here are reminiscent of Arctic Monkeys' evolution once they hooked up with Josh Homme. As with that relationship, the young band's sound naturally takes on the flavor of the producer's band, and it's mostly for the better. Auerbach's signature Black Keys sound pops up on a few tracks: most notably on first single \"Mess Around,\" which is a perfect El Camino hip-shaker, as well as the stomping \"Punchin' Bag.\" Elsewhere, glimmers of former ferocity briefly pop up, especially on the sneering sleazy album closer \"Portuguese Knife Fight,\" which sounds like \"Down on the Street\" Iggy Pop fronting the aforementioned Arctic Monkeys lads. For fans of the \"old\" Cage, the sparkly twang of \"Trouble\" harks back to their Pixies hero worship heyday: it apes \"Where Is My Mind?\" so expertly it even includes the line \"God don't let me lose my mind.\" Despite the clear connections, it's not completely derivative. Cage the Elephant are maturing and their songs have a new heft to them, which may drive away some old diehards but will certainly attract new followers. ~ Neil Z. Yeung\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cage The Elephant","offers":[{"title":"Default Title","offer_id":52393673130293,"sku":"K8D8HJ-7HNI-00","price":29.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/cage-the-elephant-tell-me-im-pretty-180-gram-vinyl-gatefold-lp-jacket-_39OtF.jpg?v=1772488670"},{"product_id":"pantera-vulgar-display-of-power-vinyl","title":"Pantera - VULGAR DISPLAY OF POWER - Vinyl","description":"\u003cp\u003ePantera: Philip Anselmo (vocals); Diamond Darrell (guitar); Rex (bass); Vinnie Paul (drums). Recorded at Pantego Sound Studio, Pantego, Texas. With a rougher image and a more focused, aggressive sound than in their hairspray and spandex days on an independent label, Texas natives Pantera made a serious dent in the heavy music scene with the major label release of COWBOYS FROM HELL, which inspired radio play and MTV support. While Metallica and Megadeth were watering down their approach for a more mainstream sound, Pantera got harder with VULGAR DISPLAY OF POWER. From the moment vocalist Phil Anselmo screams his first \"Revenge!\" in \"Mouth for War,\" the stage is set. Drummer Vinnie Paul showcases relentless technical prowess thrashing out complex double-bass drum patterns in \"A New Level\" and \"By Demons be Driven,\" while guitarist Diamond Darrell's seemingly endless supply of hard-grooving, blues-inspired hooks are the heart of \"No Good\" and \"Live in a Hole.\" In the emotional power-ballad \"Hollow,\" the song's protagonist faces the heartache of having a friend trapped in a coma; and just as in the epic \"Cemetery Gates\" from COWBOYS FROM HELL, Anselmo continues to struggle with the consequences of fate and the will of the world.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pantera","offers":[{"title":"Default Title","offer_id":52398099693877,"sku":"2UDEBT-KPMS-00","price":53.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/pantera-vulgar-display-of-power_34CHe.jpg?v=1772572072"},{"product_id":"deftones-adrenaline-180-gram-vinyl-vinyl","title":"Deftones - Adrenaline (180 Gram Vinyl) - Vinyl","description":"\u003cp\u003eDeftones: Chino Moreno (vocals); Stephen Carpenter (guitar); Chi Cheng (vocals, bass); Abe Cunningham (drums). Recorded at Bad Animals, Seattle, Washington. Along with Korn's 1994 self-titled debut album, the Deftones' 1995 debut, ADRENALINE, helped put California's new rage-filled metal movement on the map, subsequently inspiring countless other bands. Vocalist Chino Moreno was one of the first alternative\/metal singers to specialize in the sing\/scream style that would become prevalent by the late '90s, while guitarist Stephen Carpenter specialized in repetitive, mammoth guitar riffs that were comparable to both Black Sabbath and Soundgarden. While ADRENALINE wasn't a big hit right off the bat, constant touring over a period of several years helped set up the Deftones' eventual breakthrough success with the group's sophomore effort, AROUND THE FUR, two years later. ADRENALINE proves to be a very consistent debut. Although the band would focus and perfect its sound even more on future releases, all of the major ingredients were already evident. 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The package includes a full \u003cstrong data-start=\"535\" data-end=\"553\"\u003e8-page booklet\u003c\/strong\u003e and features an all-star lineup of collaborators including \u003cstrong data-start=\"613\" data-end=\"693\"\u003eKanye West, Lil Wayne, Pharrell Williams, Roy Ayers, Kali Uchis, ScHoolboy Q\u003c\/strong\u003e, and more.\u003c\/p\u003e\r\n\u003cp class=\"\" data-start=\"706\" data-end=\"719\"\u003e\u003cstrong data-start=\"706\" data-end=\"719\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"\" data-start=\"721\" data-end=\"740\"\u003e\u003cem data-start=\"721\" data-end=\"738\"\u003eDisc 1 – Side A\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"741\" data-end=\"958\"\u003e\r\n\u003cli class=\"\" data-start=\"741\" data-end=\"778\"\u003e\r\n\u003cp class=\"\" data-start=\"744\" data-end=\"778\"\u003eDeathcamp (feat. Cole Alexander)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"779\" data-end=\"812\"\u003e\r\n\u003cp class=\"\" data-start=\"782\" data-end=\"812\"\u003eBuffalo (feat. Shane Powers)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"813\" data-end=\"846\"\u003e\r\n\u003cp class=\"\" data-start=\"816\" data-end=\"846\"\u003ePilot (feat. Sydney Bennett)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"847\" data-end=\"890\"\u003e\r\n\u003cp class=\"\" data-start=\"850\" data-end=\"890\"\u003eRun (feat. Chaz Bundick \u0026amp; ScHoolboy Q)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"891\" data-end=\"958\"\u003e\r\n\u003cp class=\"\" data-start=\"894\" data-end=\"958\"\u003eFind Your Wings (feat. Roy Ayers, Sydney Bennett \u0026amp; Kali Uchis)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003cp class=\"\" data-start=\"960\" data-end=\"979\"\u003e\u003cem data-start=\"960\" data-end=\"977\"\u003eDisc 1 – Side B\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"980\" data-end=\"1206\"\u003e\r\n\u003cli class=\"\" data-start=\"980\" data-end=\"996\"\u003e\r\n\u003cp class=\"\" data-start=\"983\" data-end=\"996\"\u003eCherry Bomb\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"997\" data-end=\"1080\"\u003e\r\n\u003cp class=\"\" data-start=\"1000\" data-end=\"1080\"\u003eBlow My Load (feat. Wanya Morris, Dâm-Funk, Austin Feinstein \u0026amp; Sydney Bennett)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"1081\" data-end=\"1148\"\u003e\r\n\u003cp class=\"\" data-start=\"1084\" data-end=\"1148\"\u003e2Seater (feat. Aaron Shaw, Samantha Nelson \u0026amp; Austin Feinstein)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"1149\" data-end=\"1206\"\u003e\r\n\u003cp class=\"\" data-start=\"1152\" data-end=\"1206\"\u003eHair Blows (feat. Austin Feinstein \u0026amp; Sydney Bennett)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003cp class=\"\" data-start=\"1208\" data-end=\"1227\"\u003e\u003cem data-start=\"1208\" data-end=\"1225\"\u003eDisc 2 – Side C\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"1228\" data-end=\"1460\"\u003e\r\n\u003cli class=\"\" data-start=\"1228\" data-end=\"1307\"\u003e\r\n\u003cp class=\"\" data-start=\"1231\" data-end=\"1307\"\u003eThe Brown Stains of Darkeese Latifah Part 6-12 (Remix) (feat. ScHoolboy Q)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"1308\" data-end=\"1320\"\u003e\r\n\u003cp class=\"\" data-start=\"1311\" data-end=\"1320\"\u003eSpecial\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"1321\" data-end=\"1415\"\u003e\r\n\u003cp class=\"\" data-start=\"1324\" data-end=\"1415\"\u003eFucking Young \/ Perfect (feat. Charlie Wilson, Chaz Bundick, Sydney Bennett \u0026amp; Kali Uchis)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"1416\" data-end=\"1460\"\u003e\r\n\u003cp class=\"\" data-start=\"1419\" data-end=\"1460\"\u003eSmuckers (feat. Lil Wayne \u0026amp; Kanye West)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003cp class=\"\" data-start=\"1462\" data-end=\"1481\"\u003e\u003cem data-start=\"1462\" data-end=\"1479\"\u003eDisc 2 – Side D\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"1482\" data-end=\"1606\"\u003e\r\n\u003cli class=\"\" data-start=\"1482\" data-end=\"1534\"\u003e\r\n\u003cp class=\"\" data-start=\"1485\" data-end=\"1534\"\u003eKeep Da O’s (feat. Pharrell Williams \u0026amp; Coco O.)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"1535\" data-end=\"1594\"\u003e\r\n\u003cp class=\"\" data-start=\"1538\" data-end=\"1594\"\u003eOkaga, CA (feat. Alice Smith, Leon Ware \u0026amp; Clem Creevy)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli class=\"\" data-start=\"1595\" data-end=\"1606\"\u003e\r\n\u003cp class=\"\" data-start=\"1598\" data-end=\"1606\"\u003eYellow\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eAvailability: Pre-Order\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/22\/2025\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eAvailability: Pre-Order\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tyler, The Creator","offers":[{"title":"Default Title","offer_id":52453391958325,"sku":"0PNT9G-NZ23-ZM","price":41.82,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/tyler-the-creator-cherry-bomb-mask-cover-2lp-translucent-blue-vinyl_nFEVz.jpg?v=1774264814"},{"product_id":"bon-iver-22-a-million-digital-download-vinyl","title":"Bon Iver - 22, A Million (Digital Download) - Vinyl","description":"\u003cp\u003eAfter a few years spent working on things other than Bon Iver, time spent sorting out heavy personal issues, and a radical rethink of the style that launched Justin Vernon's project to the upper reaches of indie folk popularity, the always searching musician returned in 2016 with an album that redefined Bon Iver in dramatic fashion. 22, A Million is a complicated and intricate record that features chopped-up lyrics, altered vocals, sped-up samples, alternately shimmering and clipped keyboards, treated saxophones, and the occasional gently strummed guitar. Through most of the challenging album, Vernon and his collaborators create miniature structures of sound and space, letting his vocals drift and cascade through sparse and fractured constructs like a lost soul wandering through empty futuristic streets. It's a long way from intimate folk songs recorded in a remote Wisconsin cabin. In the music, one can hear the influence of Vernon's occasional collaborator Kanye West, especially on the mutated R\u0026amp;B tracks like \"10 d E A T h b R E a s T ? ?\" and \"33 'God',\" where his vocals take on a rap-like cadence, but also in the sense of grandeur and bombast intermittently found there and elsewhere. In direct contrast are the songs that sound very inward and emotionally bleak and twisted, possibly reflecting some of Vernon's struggles along the way. The desperate \"715 - CR??KS,\" which features nothing but a choir of Auto-Tuned Vernons singing aching lyrics that sound like they're being ripped from the deepest, darkest corner of his tortured soul, is maybe the darkest track. In yet more contrast, a few songs on the album retain much of the hushed acoustic feel of his earlier albums, but with weird electronics and tricks around the edges. The beautiful \"29 #Strafford APTS\" is a folk song at its core, but he adds altered vocals, queasily pitched saxophones, and distorted electronic tones to provide some drama to the song. He does similar things to the album-ending piano ballad \"00000 Million\" and the tense, almost ambient \"21 M??N WATER,\" turning them from typically sad Bon Iver songs into something weird and oddly more affecting. The only track on the album that falls short of the standard set elsewhere is \"8 (circle),\" which makes the mistake of being a little too earnestly straightforward and too much like a Bruce Hornsby song. This was probably the one that needed the most manipulation, and it's the one that gets the least. One little misstep can't keep 22, A Million from being a return to form, even as it turns the established form on its head and gives it a spin. It's clear that the upheavals in Vernon's life and music are a matched set; he turns his pain into art as he does a deep dive into exploration of technique and sound. It's an impressive feat of reinvention that manages to keep Vernon's emotional core fully intact no matter how far the music strays from established Bon Iver territory. ~ Tim Sendra\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bon Iver","offers":[{"title":"Default Title","offer_id":52473871401269,"sku":"VOB2D9-16NA-00","price":30.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/bon-iver-22-a-million-digital-download_Gmucj.jpg?v=1775383463"},{"product_id":"cage-the-elephant-thank-you-happy-birthday-vinyl","title":"CAGE THE ELEPHANT - Thank You, Happy Birthday - Vinyl","description":"\u003cp\u003eA time warp mash of the Pixies, Oasis, the Arctic Monkeys, and Kasabian that hails from, of all places, Bowling Green, KY, Cage the Elephant are out of step, out of style, and out of place on their second effort, like alt-rock kids trapped in an indie rock world. Thank You Happy Birthday bangs hard on the guitars and swaggers like the Shins never happened, but once hot, fast tracks like \"2024\" and \"Right Before My Eyes\" sink their hooks into the listener, it doesn't matter much that the band is an odd patchwork quilt of alt-rock nostalgia. If this was some supergroup that splintered off the Smashing Pumpkins it would make perfect sense, but these memorable songs are delivered with the same energetic push the band displayed on its self-titled debut, so the strong sense of purpose is intact. Big, winding numbers like \"Aberdeen\" and \"Indy Kidz\" display growth and the electronica touches found throughout the effort are welcome acknowledgments that this is a post-Radiohead world. While the grand and sometimes snotty lyrics might not be to all tastes, anyone who misses the days when rock radio loved Nirvana and Blur will find his retro rave-up easy to embrace. ~ David Jeffries\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CAGE THE ELEPHANT","offers":[{"title":"Default Title","offer_id":52540367864117,"sku":"AU2OLA-SXXQ-00","price":28.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/cage-the-elephant-thank-you-happy-birthday-_BWfb4.jpg?v=1776422772"},{"product_id":"a-tribe-called-quest-we-got-it-from-here-thank-you-4-your-service-2-lps-vinyl","title":"A Tribe Called Quest - We Got It From Here: Thank You 4 Your Service (2 Lp's) - Vinyl","description":"\u003cp\u003eIt seemed like the story of A Tribe Called Quest ended with the sad passing of original member Phife in early 2016. It began with their glory days as one of hip-hop's greatest acts to years of sometimes bitter estrangement, then hit a high point with the group coming together in 2015 to celebrate the 25th anniversary of their debut album People's Instinctive Travels and the Paths of Rhythm. They had a surprise up their sleeve, though. On the night they performed on The Tonight Show, the four original members of the Tribe decided the time was right to hit the studio and make a new album. Repairing relationships was the first step and once that happened, the group (minus Ali Shaheed Muhammad, who was in Los Angeles working on the music to Luke Cage) holed up in Q-Tip's home studio and started working on their comeback, We Got It from Here... Thank You 4 Your Service. Q-Tip held down the producer's chair with a mad scientist's flair, searching near and far through his record collection for inspiration. Tip, Phife, and Jarobi brought rhymes that sounded like they'd been sealed up since the early '90s, then broken open and served fresh. Old collaborators Busta Rhymes and Consequence dropped by to add their skills and energy; new artists like Kendrick Lamar and Anderson Paak, who grew up on the Tribe, dropped by to add verses, and some big names like Andre 3000 and Kanye West jumped in feet first, especially Andre, whose rapid-fire verses with Q-Tip on \"Kids\" provide one of the record's highlights. Jack White adds some of his guitar heroics on a few tracks and Elton John makes a cameo as well, singing the hook of the very odd \"Solid Wall of Sound.\" The sheer number of guests, the long wait since their last album, the shifting tides of hip hop -- all these factors could have led to We Got It being a disappointment. Amazingly, it turns out to be almost the exact opposite. Thanks to Q-Tip's visionary and pleasingly weird production, which draws from golden age hip-hop, old-school jazz, odd samples, dub reggae, and interplanetary electro, the fact the neither he nor Phife have lost even a small percentage of a step, and the seamlessly integrated contributions from the guests (especially Paak on \"Moving Backwards\"), the album is vibrant, intense, and alive. The group sound like they're having a blast on party songs like \"The Donald\" or the buoyant \"Dis Generation,\" get mad as hell on tracks like \"Space Program\" and \"We the People,\" and generally come off like they're still the greatest. This is no nostalgia trip or callous comeback. It's a giant exclamation point on the end of a brilliant career. It's also a tribute to the everyman genius of Phife, a widescreen look at the record-making skills of Q-Tip, and most importantly, it's a pure, undiluted, joyous thrill to have the Tribe back and still sounding this vital. ~ Tim Sendra\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"A Tribe Called Quest","offers":[{"title":"Default Title","offer_id":52548026794293,"sku":"R65C5S-I3MS-00","price":33.92,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/a-tribe-called-quest-we-got-it-from-here-thank-you-4-your-service-2-lps_Zk0aX.jpg?v=1776510884"},{"product_id":"bob-dylan-and-the-grateful-dead-dylan-the-dead-vinyl","title":"Bob Dylan And The Grateful Dead - Dylan \u0026 The Dead - Vinyl","description":"\u003cp\u003eBob Dylan \u0026amp; The Grateful Dead: Bob Dylan, Jerry Garcia, Bob Weir (vocals, guitar); Brent Mydland (keyboards); Phil Lesh (bass); Mickey Hart, Bill Kreutzmann (percussion). Recorded live in July, 1987. This document of the historic summer-of-1987 live pairing of the rock era's premier singer\/songwriter and its longest-running psychedelic adventure-cum-sideshow is not nearly as great as the shows themselves were. Yet, it exemplifies rather eloquently what each brought to the party. Dylan, obviously, brought the tunes--but not just the acknowledged classics. As the dry reading of \"Joey,\" his mid-'70s tribute to gangster Joey Gallo, rightfully suggests, Dylan kept the Dead on their toes with his choices. The Dead, of course, brought their indescribable way with a song, their ability to turn any tune into a jam-friendly, lyrical boogie. And as the opening \"Slow Train Coming\" rightfully suggests, when this weird combo of talents clicked, every dusty corner of Dylan's catalog got a unique makeover.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bob Dylan And The Grateful Dead","offers":[{"title":"Default Title","offer_id":52549254709557,"sku":"03GVKB-8GTV-00","price":24.87,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/bob-dylan-and-the-grateful-dead-dylan-the-dead_K2i7K.jpg?v=1776530446"},{"product_id":"metallica-garage-days-re-revisited-vinyl","title":"Metallica - Garage Days Re-Revisited - Vinyl","description":"\u003cp\u003eMetallica: James Hetfield (vocals, guitar); Kirk Hammett (guitar); Jason Newsted (bass); Lars Ulrich (drums, percussion). Recorded at A \u0026amp; M and Conway Studios, Los Angeles, California. Includes liner notes by James Hetfield. Following Cliff Burton's death, Metallica took some time off and initiated new bassist Jason Newsted with a raw, unpolished EP of covers originally recorded by Diamond Head, Holocaust, Killing Joke, Budgie, and the Misfits. Most fit the band's style quite well; only \"Last Caress\" sounds out of place, as the original seemed looser and more dangerous. As a showcase for some strong metal riffs and material by mostly underground bands, the EP works quite well. ~ Steve Huey\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metallica","offers":[{"title":"Default Title","offer_id":52552444707125,"sku":"XSN24O-XMBK-00","price":29.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/metallica-garage-days-re-revisited_VKE3T.jpg?v=1776577561"},{"product_id":"the-replacements-let-it-be-vinyl","title":"The Replacements - Let It Be - Vinyl","description":"\u003cp\u003eThe Replacements: Paul Westerberg (vocals, guitar, lap steel, mandolin, piano, percussion); Bob Stinson (guitar); Tommy Stinson (bass, background vocals); Chris Mars (drums, maracas). Additional personnel: Peter Buck (guitar); Chan Poling (piano). Producers: Steve Fjelstad, Paul Westerberg, Peter Jesperson. Recorded at Blackberry Way Studios, Minneapolis, Minnesota. All tracks have been digitally remastered. The Replacements were one of America's greatest bands of the 80s, irrespective of genre, though during their lifetime they received thin acknowledgement from anyone but informed critics. LET IT BE demonstrates the unique hybrid of sloppy punk attitude and classic rock sensibilities that drove fans to devotion and critics to supplication. It was 1984, and the Replacements were poised to erupt from the Minneapolis punk scene onto the national stage. Paul Westerberg's songs lose all timidity as he tackles subjects like failure, confusion, and despair with a lyrical directness and a voice capable of ravaged emotion, unbridled fury, and effecting vulnerability. \"I Will Dare\" addresses an aging loser's complexes, while the tender ballad \"Androgynous\" chronicles a punk-rock love affair. \"Unsatisfied\"--perhaps Westerberg's best song--is a sweeping contemplation of shattered dreams. Profundity aside, there is also a huge sense of fun about LET IT BE, with throwaway material like \"Gary's Got A Boner\" and their cover of Kiss's \"Black Diamond\" foregrounding the quartet's signature drunken levity amid the angst. The Mats' finest hour, LET IT BE is easily on the shortlist for best albums of the '80s.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Replacements","offers":[{"title":"Default Title","offer_id":52556438044981,"sku":"FYQKX8-8K7X-00","price":29.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/the-replacements-let-it-be_x9iWD.jpg?v=1776692418"},{"product_id":"black-sabbath-paranoid-180-gram-vinyl-import-vinyl","title":"Black Sabbath - Paranoid (180 Gram Vinyl) [Import] - Vinyl","description":"\u003cp\u003ePARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, \"War Pigs,\" or the lumbering thud of \"Iron Man\" (which boasts one of the most indelible electric guitar riffs in rock history). The album's title is apt: PARANOID is filled with an edgy aggression and lyrics about war, insanity, death, and destruction. Ozzy Osbourne's flat, affectless voice merges perfectly with Tony Iommi's fuzzed-out, sledgehammer power chords and the bruising bass and drum lines to create an intense, freaky, horror-show universe. There are elements of blues-rock and psychedelia (the floating \"Planet Caravan,\" in particular), but Black Sabbath basically invents here what would become one of the most popular genres of music in the latter 20th century and beyond. 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Recorded at Chateau d'Herouville, France and Hansa By The Wall, Berlin, Germany. The first (Heroes and Lodger would follow) of Bowie's three Berlin albums. Living there as a semi-recluse for three years, he worked with Svengali\/producer Brian Eno and the results of their collaborations helped change the face of the European mainstream. Artists such as Gary Numan, Ultravox and OMD were indebted to the sound Bowie had created with the synthesizer to build a somewhat terse wall of sound. Critically acclaimed, but a relative commercial failure, apart from the surprise 'Sound And Vision' hit single, it remains as a pertinent reminder of Bowie's ability to surprise and enlighten.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"David Bowie","offers":[{"title":"Default Title","offer_id":52621685260597,"sku":"6ZLK9M-JU0S-00","price":29.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/david-bowie-low-remastered-180-gram-vinyl_LDjPY.jpg?v=1776457401"},{"product_id":"janis-joplin-pearl-180-gram-vinyl-vinyl","title":"Janis Joplin - Pearl (180 Gram Vinyl) - Vinyl","description":"\u003cp\u003e2 LPs on 1 CD: GOLDEN HIGHLIGHTS (1988)\/PEARL (1970). Janis Joplin's PEARL, from 1971, is a bluesy, organ-drenched benediction for the flower-child sound of the free-and-easy 60's. It is also one of great singer's most consistent and representative efforts. Gone are the ear-shattering sonics of Big Brother and the Holding Company, and Full Tilt Boogie, the backing band here, steps in to offer a degree of polish and control that frames Joplin's vocals nicely. Yet the band still grooves hard with the fierceness her voice demands. Guitarist John Till's riffs, chords, and solos, in particular, are exciting and tightly executed. \"A Woman Left Lonely\" and Bobby Womack's \"Trust Me\" are rain-on-the-windows ballads that come alive with Joplin's gritty vocal brilliance, while the burbling \"Move Over\" and \"Half Moon\" are among her funkiest, most driving cuts. The dramatic \"Cry Baby\" is offset by the tongue-in-cheek a cappella number \"Mercedes Benz,\" while Joplin's version of Kris Kristofferson's \"Me and Bobby McGee\" went on to become her signature song. 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Featuring the legendary duo Lindsey Buckingham and Stevie Nicks in their pre–Fleetwood Mac era, this long out-of-print classic has never sounded better.\u003c\/p\u003e\r\n\u003cp data-start=\"709\" data-end=\"996\"\u003eRemastered by Kevin Gray, pressed on 180-gram vinyl at Optimal in Germany, and housed in a deluxe gloss-laminated “tip-on” jacket, this Hi-Fi release represents the gold standard in archival-quality reissues. An essential for fans of ’70s rock and collectors of impeccably crafted vinyl.\u003c\/p\u003e\r\n\u003chr data-start=\"998\" data-end=\"1001\"\u003e\r\n\u003cp data-start=\"1003\" data-end=\"1038\"\u003e\u003cstrong data-start=\"1003\" data-end=\"1038\"\u003eTracklist – Full Length Vinyl 1\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp data-start=\"1040\" data-end=\"1247\"\u003e\u003cstrong data-start=\"1040\" data-end=\"1050\"\u003eSide A\u003c\/strong\u003e\u003cbr data-start=\"1050\" data-end=\"1053\"\u003e01. Crying in the Night (2025 Remaster)\u003cbr data-start=\"1092\" data-end=\"1095\"\u003e02. Stephanie (2025 Remaster)\u003cbr data-start=\"1124\" data-end=\"1127\"\u003e03. Without a Leg to Stand On (2025 Remaster)\u003cbr data-start=\"1172\" data-end=\"1175\"\u003e04. Crystal (2025 Remaster)\u003cbr data-start=\"1202\" data-end=\"1205\"\u003e05. Long Distance Winner (2025 Remaster)\u003c\/p\u003e\r\n\u003cp data-start=\"1249\" data-end=\"1441\"\u003e\u003cstrong data-start=\"1249\" data-end=\"1259\"\u003eSide B\u003c\/strong\u003e\u003cbr data-start=\"1259\" data-end=\"1262\"\u003e01. Don't Let Me Down Again (2025 Remaster)\u003cbr data-start=\"1305\" data-end=\"1308\"\u003e02. Django (2025 Remaster)\u003cbr data-start=\"1334\" data-end=\"1337\"\u003e03. Races Are Run (2025 Remaster)\u003cbr data-start=\"1370\" data-end=\"1373\"\u003e04. Lola (My Love) [2025 Remaster]\u003cbr data-start=\"1407\" data-end=\"1410\"\u003e05. 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Produced by Coldplay and Danton Supple, the album includes the singles Speed of Sound, Fix You, Talk and The Hardest Part.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eSquare One\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhat If\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhite Shadows \u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eFix You\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eTalk\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eX\u0026amp;Y\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSide C \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eSpeed of Sound\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Message\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eLow\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Hardest Part\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwallowed in the Sea\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eTwisted Logic\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/15\/2025\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Coldplay","offers":[{"title":"Default Title","offer_id":52802920284469,"sku":"SJKTBW-JEJA-BR","price":35.64,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/coldplay-x-y-indie-exclusive-clear-ecorecord-2lp_6dC56.png?v=1777497737"},{"product_id":"coldplay-a-rush-of-blood-to-the-head-indie-exclusive-clear-ecorecord-lp-vinyl","title":"Coldplay - A Rush Of Blood To The Head (Indie Exclusive) (Clear Ecorecord LP) - Vinyl","description":"\u003cp\u003e\u003cstrong\u003eColdpay - \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eA Rush Of Blood to the Head\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eProduct Description \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Rush of Blood to the Head by Coldplay is now available on clear EcoRecord. Each injection-moulded LP is made entirely from, on average, nine recycled plastic bottles. EcoRecord sounds and looks as great as a traditional vinyl record, but it’s been manufactured using 100% recycled PET, instead of PVC. Injection moulding technology has energy savings of up to 85% compared to the traditional vinyl process. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Rush of Blood to the Head is the 2002 second album by Coldplay. Coldplay and Ken Nelson produced the album. 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Cole's fourth album arrived exactly two years after 2014 Forest Hills Drive. Released on short notice and with minimal hype, it's another one without guest verses, and his leanest yet. Told in the first person, most of its tracks trace the life trajectory of Cole's slain friend, as someone who dealt drugs, changed course after falling in love, and died at the age of 22. Cole also draws from some aspects of his own life. One track regards an unjustified SWAT raid on a house he rented for recording, leaving him feeling targeted, \"Even when the president jam your tape.\" There's a moment of levity and sweetness throughout \"Foldin Clothes,\" where Cole enthusiastically handles some domestic duties, while the two parts of \"She's Mine\" regard, respectively, his wife and daughter. Most moving and forthright is the closing title track, nine minutes of grimly focused reflections from multiple vantage points. 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Personnel: Ozzy Osbourne (vocals); Randy Rhoads (guitar); Bob Daisley, Robert Trujillo (bass); Lee Kerslake, Mike Bordin (drums); Danny Saber (bells). Producers: Ozzy Osbourne, Randy Rhoads, Max Norman. Engineers: Max Norman, Thom Panunzio, Herman Villacota. Includes liner notes by Phil Alexander. Digitally remastered by Stephen Marcussen (Marcussen Mastering). Released three years after his departure from Black Sabbath, DIARY is Ozzy's second solo album. A true metal masterpiece, the record features Randy Rhoads (previously in Quiet Riot). DIARY and its successors showed that Ozzy could not only make it on his own, but exceed his former bandmates in popularity. \"Over The Mountain\" rumbles in and features the often imitated-never duplicated soloing of Randy Rhoads. The man is arguably the most influential guitarist in heavy rock besides Eddie Van Halen. \"Flying High Again\" follows, and is Ozzy's ode to non-stop partying. \"Tonight\" is a wonderful ballad, showing Randy's tasteful restraint. \"S.A.T.O.\" is vintage Osbourne, with metal riffage only he can deliver. The title track begins with beautiful electric and acoustic guitar overdubs, and concludes the record with bombast. It is clear the Ozzman is at his peak on this album. Ozzy will never be considered a \"singer's singer,\" and his penchant for biting the heads off live animals may overshadow his musical abilities. 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The mid-tempo funk of \"Maria\" finds vocalist Zach De La Rocha telling the poetic story of an immigrant factory worker whose dream of freedom leads her unknowingly into modern-day slavery. Taking up the cause of death row inmate Mumia Abu-Jabal, De La Rocha questions the validity of his trial in \"Guerilla Radio\" and fleshes out his argument in \"Voice of the Voiceless.\" \"Sleep Now in the Fire\" finds De La Rocha making historical references to government greed and the darker side of human nature. Though other rap\/metal acts may have seemingly copped some of its musical traits, Rage Against the Machine has a conviction and passion that cannot be matched by any other band in the genre.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rage Against The Machine","offers":[{"title":"Default Title","offer_id":52885665612085,"sku":"LABEZN-3U5B-00","price":29.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0763\/1391\/9797\/files\/rage-against-the-machine-the-battle-of-los-angeles-180-gram-vinyl_0aqz3.jpg?v=1778780030"},{"product_id":"billie-eilish-when-we-all-fall-asleep-where-do-we-go-colored-vinyl-vinyl","title":"Billie Eilish - When We All Fall Asleep, Where Do We Go? 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Additional personnel: Tommy, Bill Yule, Adrian Barber (percussion). Producers: Geoffrey Haslam, Shel Kagan, The Velvet Underground. LOADED was a fitting end for the mighty Velvet Underground. Lou Reed had penned an album seemingly packed with hits, but by now, four LPs into the Velvets' career, only a sad few record buyers appreciated the band. Resignation permeates the album. Reed's voice is noticeably ragged, and bassist Doug Yule ended up recording many of the vocals for the final mix. Drummer Moe Tucker was pregnant, and Yule's brother Billy sat in on drums for most of the sessions. This was no longer the art rock Velvet Underground, but a far more accessible version, relying on Reed's songwriting over the band's overall musicality. Yet LOADED is arguably VU's most immediately satisfying album. Less overtly experimental than any of their other releases, the record still overflows with hooks, churning grooves and Lou Reed's irresistibly unique pop sensibility. In addition to the certifiable rock classics \"Sweet Jane\" and \"Rock \u0026amp; Roll\" (which alone should elevate the album into the rock pantheon), there are shiny, ironic ditties (\"Who Loves the Sun\"), cool, folk-rocking groovers (\"Cool It Down\"), and beautiful, weary ballads (\"Oh! Sweet Nuthin'\"). LOADED shimmers and gleams for all of its finality. 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Additional personnel includes: Juan de Marcos Gonzalez (conductor, guiro, background vocals); Julio Alberto Fernandez (vocals, maracas); Manuel \"Puntillita\" Licea (vocals, congas); Omara Portuondo (vocals); Benito Suarez Magana (guitar); Barbarito Torres (laoud); Manuel \"Guajiro\" Mirabal (trumpet); Orlando \"Cachaito\" Lopez, Salvador Repilado Labrada (bass); Joachim Cooder (drums, udu drum, dumbeck, conga); Alberto \"Virgillo\" Valdes (maracas, background vocals). Recorded at Egrem Studios, Havana, Cuba, March, 1996. Includes liner notes by Nick Gold and Nigel Williamson. BUENA VISTA SOCIAL CLUB won the 1998 Grammy Award for Best Tropical Latin Performance. That Ry Cooder, you've got to keep an eye on him every minute, or he jumps into another cross-cultural collaboration. In the wake of his landmark recordings TALKING TIMBUKTU with Ali Farka Toure and A MEETING BY THE RIVER with V.M. Bhatt comes BUENA VISTA SOCIAL CLUB, essentially a supergroup of traditional Cuban musicians with the addition of international agitator Cooder. Somehow, Cooder always finds just the right space to slide in with his sinuous slide guitar, so that it works in almost any context. Here, amidst the multi-layered percussion, piano, and Cuban guitar rhythms, Cooder's slide simultaneously finds a home and spurs the ensemble on. 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